Nagatani/Tracey: The collaboration began in 1983 when Patrick Nagatani was offered 2 days use of a 20” x 24” Polaroid camera. He was a photographer, Andrée Tracey was painter and they occupied studios in the same Los Angeles building. Tracey's sensibilities coalesced with Nagatani's ideas and set design experience, and with this alliance, their collaboration was launched. Using aspects of photography, painting, installation, and performance. Working in a theatrical way we expanded the boundaries of large format Polaroid 20X24 photography. The recurring theme through much of this work is the threat, the chaos, and the consequences surrounding a nuclear episode. Both artists appear as actors in elaborately constructed and intensely colored images which are peppered with irony and humor despite the darkness that the work forecasts.